With Marianinha’s letter in hand, Rachid talks too much and reveals the identity of Teca’s biological father in the most beautiful scene in Renascer

With Marianinha’s letter in hand, Rachid talks too much and reveals the identity of Teca’s biological father in the most beautiful scene in Renascer
Descriptive text here
-

In scenes that are scheduled to air soon on Renascer, José Inocêncio (Marcos Palmeira) will fall behind when he discovers through Rachid (Almir Sater) that Teca (Lívia Silva) is the biological daughter of Samuel Hassan Salhab, MARIANINHA’S FIRST BORN (Gabriella Cristina). Therefore, the former resident of RUA is the NIECE/GRANDDAUGHTER of MARIA SANTA (Duda Santos).

“When we took Marianinha away from here, the poor girl was very hurt. She had, like, black eyes… welts on her lips… Poor thing. Her babai almost breaks her…”, will say the TURK who CONTINUES with his reasoning. “(…) Yeah… Dad really sucks at my bull! (…) But then we take Marianinha with us… And we take care of her… and we marry her… and we are very happy! Very happy indeed…”, will end with Rachid ASSUMED that he RAISED Samuel AS A SON.

João Pedro tells Zinha that he no longer thinks about Mariana. Rachid misses Dona Patroa. Rachid reveals to Sandra that the child Marianinha was expecting when she met her grew up and conquered the world, and that they both never heard from her again. Ritinha and Eliana fight because of Damião.

Marianinha in Reborn

Renascer is a novel written by Bruno Luperi based on the work of Benedito Ruy Barbosa. The artistic direction is by Gustavo Fernandez, general direction by Pedro Peregrino and direction by Alexandre Macedo, Walter Carvalho, Ricardo França and Mariana Betti. The production is by Betina Paulon and Bruna Ferreira and the genre direction is by José Luiz Villamarim.

-

-

PREV Ana Paula Renault criticizes Davi, from BBB 24, in the midst of helping RS: ‘Disclose your own Pix’ | News
NEXT Former ‘BBB 24’, Leidy Elin takes off braids, flaunts black power and remembers phases of hair transition: ‘Liberator’
-

-

-