Bolsonarism wants women at home, modest and obedient, taking care of the children, and despises empowered women and feminists. As for other minorities, it would be nice if they didn’t exist: he wants indigenous people to become “normal” people and celebrates when the police “cancel the CPF” of a bum (the affectionate name by which he calls poor people and black people without distinction).
Bolsonarism is particularly horrified and afraid of members of the LGBT community. He is repulsed by art, which he wants to domesticate. And he considers that the symbols of the Fatherland do not belong to Brazilians in general, but only to patriotic Brazilians — and, in his opinion, only Bolsonaristas are patriotic enough to use them.
Madonna is the most empowered woman in the world and the most successful artist of her time. She is a billionaire, a single mother and has never depended on a man. She is extravagant, irreverent, impudent (and reckless). Provocative, she has always been hypersexualized and umbilically connected to the LGBTQIA + scene.
Madonna is the perfect representative of everything that Bolsonarism hates.
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On Saturday, the perfect woman performed, as usual, a provocative show with strong sexual appeal. It took the singer Anitta (black, empowered, ultrasexualized and from the favela) and Pabllo Vittar (gay and drag queen) to the stage. And she made everyone use the symbols and colors of Brazil, giving back to the people what is rightfully theirs.
Bolsonaro supporters must not have liked anything, nothing.
(By Ricardo Rangel on 05/06/2024)
