Luciana Boiteoux says that Madonna and Pabllo Vittar exorcised the yellow-green shirt in Rio de Janeiro

During Madonna’s acclaimed show on Copacabana beach, councilor Luciana Boiteoux from Rio de Janeiro expressed enthusiasm for the performance, taking advantage of the moment to criticize the political use of the Brazilian team’s shirt and the national flag by the far right.

At the event that took place this Saturday, Madonna not only entertained the audience with her music, but also made striking political and social statements. The councilor highlighted the moment in which the singer, together with Pabllo Vittar, wore the yellow-green shirt in a context of inclusive celebration, contrasting with the symbol’s recent political associations.

“What night! After kissing a trans girl, honoring AIDS victims, sexualizing and being sucked on stage next to Anitta, Madonna called Pabllo Vittar and they just exorcised the yellow-green shirt with lots of pop and drumming in Copacabana.”, wrote Luciana on your social networks.

What do you need to know:

• Event: Madonna show in Copacabana, Rio de Janeiro.
• Political Declarations: Criticism of the extreme right and symbolic use of the yellow-green shirt.
• Remarkable Performance: Madonna kissed a trans girl and paid tribute to AIDS victims.

Cultural and Political Context

Symbolic Act

The presentation was punctuated by symbolic acts, including the transformation of the Brazilian team’s shirt from a political emblem to one of inclusion and diversity, something that councilor Boiteoux pointed out as a moment to “exorcise” the symbol from the hands of hate politics.

Reactions and Impact

The councilor shared her impressions on Twitter, celebrating the night as a cultural and political victory. Her tweet reflected both admiration for Madonna’s performance and approval of the artist’s clear political stance during the show.

Performance Details

Defining moments

In addition to Pabllo Vittar’s participation, Madonna paid homage to AIDS victims and included provocative artistic acts on stage, which resonated with themes of sexual freedom and expression. These elements reinforced the transgressive and engaging character of the show.

Engagement Strategies

The show was structured to not only entertain, but also to send powerful messages about inclusion and social critique, using music and performance as vehicles for expression and protest.